Nine

Chicago seduced critics and audiences in 2002 with its style and verve, and director Rob Marshall returns to the musical with this adaptation of the Broadway show Nine (that was in turn adapted from Federico Fellini's masterpiece 8 1/2). Is Nine good enough to save its distributor, the Weinstein Company, from financial ruin? Or is it at least good enough to keep audiences interested for two hours? CinemaSpy has my review of the Daniel Day-Lewis film.